audix microphones
Audix: OM 7

Designed for touring PA system. Low output gain stage designed to provide maximum gain before feedback in monitors

Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house and mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the OM7 is very resistant to feedback on extremely loud stages, and for performers who tend to "cup" the microphone with both hands.

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audix microphones
Audix: OM 5

Vocals, lead & backing, with very tight pattern control and tailored response to cut through the mix.

Designed, assembled and tested by Audix in the USA, the OM5 is a dynamic vocal microphone used for stage, studio and broadcast applications. The OM5 is known for its clarity, resistance to feedback and ability to handle sound pressure levels in excess of 144 dB without distortion.

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audix microphones
Audix: D6

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

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heil microphones

Heil Sound is pleased to introduce The Fin®, exhibiting a remarkable, natural, clear sound and designed especially for live sound, recording and broadcast applications. The exceptional performance is achieved by the use of a special magnet structure with a large 1 1/18" aluminum low mass voice coil assembly similar to the Heil PR 20. The frequency response is 60 Hz - 18kHz with that traditional Heil Sound mid range 'bouquet' at 4kHz, which presents incredible brilliance and presence. The Fin® exhibits a tight linear cardioid pattern. The chrome finish is a special 'showchrome' where the steel body is copper plated and then double chrome plated producing a deep chrome finish.

Price: $196

heil microphones

The PR 35 has been designed for commercial broadcast, recording and live sound reinforcement applications which require a smooth flat response over a wide frequency range. The PR 35 was designed around the acclaimed PR 30 element and incorporates a sorbothane shock mount to give the best possible results.

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heil microphones
Heil: PR 22

The Heil PR 22 represents completely new dynamic microphone technology designed for a wide range of professional applications such as live sound, commercial broadcast, and sophisticated recording. Never before has such quality been built into a dynamic vocal microphone. With its wide frequency range, outstandingly low handling noise and ability to handle +140dB SPL, the PR 22 outperforms the tired, 30+ year old industry technology.

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Miktek: PM9 microphones
Miktek: PM9

Handheld Dynamic Stage Microphone

The Miktek PM9 is a super cardioid, dynamic microphone featuring a custom designed, neodymium capsule element offering extremely clear and articulate vocal reproduction. The PM9's frequency response is full and sweet. Plus, the capsule's unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so you can hear more of yourself on stage. With high SPL capabilities the PM9 can easily accommodate the loudest singers and can even be used to mic up loud guitar amps, brass and drums. The PM9's multistage windscreen helps ensure a minimum amount of p-popping and the steel grill and die cast body ensure durability and reliability night after night. The ultra sleek, black finish with stainless steel appointments make the PM9 an attractive complement to any stage setting.

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Miktek: PM10 microphones
Miktek: PM10

Snare/Tom MIcrophone

The Miktek PM10 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction. The PM10's frequency response is full and robust and has been contoured to snare and tom-toms. Plus, the capsule's unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your snare and toms cut though the PA. The PM10 is an excellent choice for conga, timbale, hand-drums and other percussion as well.

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Miktek: PM111 microphones
Miktek: PM11

Dynamic Kick Drum MIcrophone

The Miktek PM11 super cardioid, dynamic microphone features a custom designed, neodymium capsule element offering extremely clear and articulate sound reproduction of low toms, acoustic bass, and of course, kick drum. The PM11’s frequency response is full and robust and is perfect for reinforcing bass drums in live sound applications. Plus, the capsule’s unique labyrinth design provides ultimate rear rejection and maximum gain before feedback, so your kick, or kicks, cut though the PA with clarity and distinction. The deep and honest response makes the PM11 kick drum mic ideal for studio applications.

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sennheiser microphones
Sennheiser: e 935

The e 935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.

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sennheiser microphones
Sennheiser: e 835

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.

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sennheiser microphones
Sennheiser MD 441

The MD 441 is acknowledged as the most accurate and versatile dynamic mic available. It has a nearly textbook perfect super-cardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Perfect for vocals and virtually every instrument.

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shure microphones
Shure: Beta 58A Vocal Microphone

The Shure Beta 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. 

The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. 

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shure microphones
Shure: Beta 57A Instrument Microphone

The Shure Beta 57A® is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. 

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals. 

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shure microphones
Shure: Beta 56A

The Shure Beta 56®A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.

A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

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