The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.

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The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG´s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

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The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound.

Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage.

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The AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio and live miking applications, even under the stringent demands of digital recording systems. The AT4040's low-noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output signals for transparent reproduction of even the most troublesome of instruments and sound effects.

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With the groundbreaking AT4080, Audio-Technica achieves the coveted ribbon microphone sound while solving the problems of fragility and low output that have historically plagued ribbon mics. Delivering the warm, smooth sound of a classic ribbon microphone, Audio-Technica's handcrafted AT4080 Ribbon Microphone offers a robust build for long-lasting, reliable performance and higher output for maximum compatibility with microphone preamplifiers.

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Audio-Technica's stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

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Multi-Pattern Large Capsule Tube Condenser Microphone

The rugged CV-12 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Any studio can proudly offer the CV-12 as a primary vocal mic…It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.

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Large Capsule Multi-Pattern FET Condenser Microphone

Our rugged CK-7 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. The transformer coupled Discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs.

The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.

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Ribbon Microphone

The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CR-14 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the very finest Ribbon mics...but at a fraction of their cost!

The transformer coupled output will yield pleasing professional results comparable to much more expensive designs. Any studio can proudly offer the CR-14 as a guitar cabinet, room mic, drum overheads, vocal mic or utility room mic due to its versatility...It exudes class visually as well as sonically.

The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.

The CR-14's dual, low-mass ribbon element which enables a much better sensitivity rating than most single ribbon designs. This design lends to fast and accurate transient response, ultra-high 148 dB SPL capability, and overall stunning realism. It has a figure-8 audio directionality (pickup) pattern via front and rear, with extended sweet spots (as compared to Large Diaphragm condenser mics & single ribbon designs).

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Unlike most ribbon motors designed today with an offset ribbon the new Cascade FAT HEAD houses a hand-tuned ribbon element that incorporates the legendary symmetrical ribbon design. This design offers a true figure 8 pattern. The corrugated aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. This design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more.

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The X-15 Stereo ribbon microphone houses two separate matched ribbon motors that are positioned one above the other. The elements are offset 90 degrees and are configured in the Blumlein setup. Stereo separation is superb and off-axis coloration is minimal. Add in the excellent sensitivity and frequency response range the X-15 is ready for the big leagues. The fit and finish are of top quality and includes a premium suspension shockmount, thick padded vinyl pouch and an upgraded aluminum case. A 5-pin cable is included, the cable connects to a metal splitter box where two separate XLR connectors give access the to upper and lower ribbon motors.

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Visually, the C77 is reminiscent of classic ribbon microphones of the past but with a twist. Here at Cascade we have been listening to customer feedback and have designed our premium series of microphones to meet the wants, needs, and desires of all studio users while still keeping our products at an affordable price. The C77 comes fitted with a Lundahl LL2913 transformer mounted on a custom PCB board, along with Evidence Audio solid-core copper wire and a Chicago Switchcraft XLR connector. The C77 features a symmetrical ribbon design and is assembled at the Cascade Lab located in Olympia, WA.

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The D 1 is a classic dynamic microphone inspired by the 1950's style. Most people might think that this kind of mic is designed for live vocal purposes only, but that is not the case with the D 1. The dynamic diaphragm is very sensitive yet rigid and it sounds terrific on electric instruments, toms & snares, and of course vocals.

The D 1 is a workhorse on stage and a spicy all round mic to keep around the studio or in the rehearsal hangout.

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The FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.

The FC 1 has a center-terminated capsule with a sweet top end and can handle loud sounds without harshness or other problems.

The output transformer handles bass well and adds that extra fat sound that only transformers can deliver. The retro EQ in the FC 1 MKII is set to deliver maximum sound quality with as many sound sources as possible.

The sound character of the FC 1 MKII is similar to vintage microphones and it is well suited to be used with most instruments and voices. It works very well on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.

The FC 1 MKII comes with a spider style shock mount.

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The FC 4 ST is a matched (within 1 dB) stereo pair of two FC 4 microphones. Specs below.

The FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity.

The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crispness of your favourite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc.

We have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording.

Every musican and studio have use for a couple of FC 4´s. The small capsule cardioid condenser mic is one of the most basic mics for recording. The FC 4 is truly a great sounding and very versatile microphone at a very low price!

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The Heil PR 40 represents completely new dynamic microphone technology designed for a wide range of professional applications such as sophisticated recording, live sound, and commercial broadcast. Producing the widest frequency range available in a dynamic microphone, the PR 40 outperforms most condenser microphones, and can withstand huge amounts of SPL. At the same time, it maintains the 25 year Heil Sound tradition of superbly natural voice articulation.

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The PR 48 kick drum microphone starts with our 1.5" large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low pass filter that creates a 10 dB rise from 60 to 100 Hz. - right where the kick drum resonates. We then stay out to 7.5 kHz and drop off drastically to eliminate any unwanted internal sounds. The total frequency reponse is 30Hz - 8.5kHz. Its rear rejection is -40dB @ 180° off axis. It can handle +148dB SPL.

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The Heil PR 30 represents completely new dynamic microphone technology designed for a wide range of professional applications such as sophisticated recording, live sound, and commercial broadcast. Its smooth, wide frequency range sounds like a ribbon but can withstand large amounts of SPL. Outperforming the tired, 30 year old technology of the industry, the large diameter of the PR 30's dynamic element produces an outstanding upper mid range that makes the PR 30 the absolute best guitar microphone in the industry today, while still an excellent choice for reproducing the human voice.

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Large Diaphragm Multi-Pattern Tube Condenser

The Miktek CV4 is a large-diaphragm tube condenser microphone offering nine pick-up patterns. The CV4's sound is truly large and produces a musical response that will please artists, producers and most seasoned engineers a like. The bottom end is big, warm and tight, with mids that are present and even, along with a high frequency response that's sweet and airy. The CV4 is ideal for recording single vocalists, and perfect for acoustic instruments, groups of vocals, piano, string ensembles, winds, overheads on a drum kit or as ­ambient room mics.

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Large Diaphragm Multi-Pattern FET Condenser

The Miktek C7, multi-pattern, large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance. The microphone's pick-up characteristic is selectable; offering cardioid, omni and bidirectional patterns. In addition, the C7 employs a high-pass filter and –10dB pad for recording loud sound sources.

The C7 is packaged with its swivel mount, in a wooden box, and set inside a rugged aluminum case along with the included shock mount.

Small Diaphragm Cardioid Pencil Condenser

The Miktek C5 pencil condenser provides discerning engineers with a valuable new tool for the critical recording of acoustic instruments. The C5, fitted with our MK5a, 0.5-inch cardioid capsule, produces a super-linear, full-bodied response. The capsule employs a 5-micron tensioned Mylar diaphragm, on which a 0.5-micron layer of evaporated gold is applied. Tight tolerances and special attention to precise machining of the backplate, and acoustical porting, produces an off-axis response that ensures the accuracy of the microphone.

The C5 is available as a single instrument packaged with a mic clip and wooden presentation box, or as a matched pair packaged with two clips in a wooden box and set inside an aluminum case. Matched-pair accessories include two shock mounts, windscreens and a stereo bar.

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The MXL A-55 Kicker is a killer dynamic mic for kick drums, bass cabinets, congas or any other low-frequency instruments. Built for abuse with durable metal construction, the MXL A-55 captures deep bass and low-end punch. It has a clean and clear pick-up for fast attacks. This mic will move effortlessly between straight-ahead jazz, rock and funk.

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The Genesis is a masterfully engineered tube microphone with features and performance levels found in mics priced thousands of dollars more. From intimate vocal recordings to fast-attacking rap, the Genesis cuts beautifully through the mix with spectacular detail. Recording professionals and musicians are praising the Genesis for its clean highs, warm mids, and tight bottom-end, features attributed in part to the genuine Mullard 12AT7 tube.

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From whisper-soft vocals to fast-firing rap, the MXL V88 truly captures the human voice and delivers exceptional instrument recordings. The MXL V88 is flexible, too. Use two for precise stereo recordings of overhead drums; three for piano and instrument recordings, even build your own surround sound recording with five MXL V88s. No matter how you use the MXL V88, you'll enjoy the kind of quality found in much pricier classic microphones.

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This special Mogami® Edition tube microphone is destined to be a classic! Internally wired with world-class Mogami cable, the V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The V69XM is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come.

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The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.

The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The "sound design" is also oriented toward that of the M 49 and the U 47.

The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB.

Price: $1499.99

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Broadcast microphone with a condenser capsule and a functionally optimized design, featuring integrated pop protection, suppression of structure-borne noise and a cardioid directional characteristic.

With its large-diaphragm condenser capsule and cardioid directional characteristic, the BCM 104 is ideal for the faithful reproduction of speech and music. This is due, for instance, to the frequency response that is flat up to 3 kHz and then gradually boosted in the higher frequencies. If required, internal switches can be used to compensate for the proximity effect and to reduce the sensitivity by 14 dB. The versatility of the BCM 104 can be seen in its wide range of applications, from news, to round-table discussions, to radio plays, to musical recordings.

The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio.

The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range.

This microphone is inspired by and styled after AKG's legendary vintage "C12". It has the 9 polar patterns, controlled from the power supply. It faithfully reproduces the airy sonic qualities and the robust low end of the original "C12".

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The design of this exciting new microphone is inspired by the classic German Bottle Microphones. The VTB uses innovative Peluso circuitry giving it an extremely low noise floor with classic tube sound. It has a strong and clean low end, smooth and flat mid-range, and lots of high end air. The Peluso VTB has 9 polar patterns, controlled from the power supply. It also has an additional switch to disable the pattern control system, allowing it to run in single diaphragm cardioid mode, giving it extremely pure cardioid characteristics.

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The design of this exciting new microphone is inspired by the classic German Bottle Microphones. The VTB uses innovative Peluso circuitry giving it an extremely low noise floor with classic tube sound. It has a strong and clean low end, smooth and flat mid-range, and lots of high end air. The Peluso VTB has 9 polar patterns, controlled from the power supply. It also has an additional switch to disable the pattern control system, allowing it to run in single diaphragm cardioid mode, giving it extremely pure cardioid characteristics.

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The RNR1's faithful reproduction of fine harmonic material across the frequency spectrum results in the unparalleled capturing of real sound. Indeed its ability to capture modulation from infinite harmonic frequencies normally masked on any recording assures its revolutionary status and exemplary reputation.

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The Z5600a II is one of the most versatile mics on today's market. With 9 graded steps through omni, cardioid and figure of eight patterns, 10dB pad and bass cut, the Z5600a II finds uses in a huge number of applications, from mic-ing a live drum kit, to overhead on a choir. Above all though, this excellent mic has won its praise on delivering superb vocal recordings, with natural warmth and incredible detail.

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The dual valve design of the SE Electronics Gemini MK2 means pure valve warmth from the 12AX7 input valve coupled with a 12AU7 valve on the output stage in place of the traditional transformer.

The result is that the Gemini produces an incredibly large detailed and intimate sound reminiscent of the classic valve microphones from decades ago, but with all the top end you'd normally associate with the best solid state mics on the market.

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This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

SPECIAL!!!
Between April 15, 2012 and May 31, 2012, you can get a FREE HD 429 headphone or ME 2 lavalier via mail-in rebate when you purchase an ew 112-p G3, ew 122-p G3, ew 135-p G3 or ew 100 ENG G3.

In the world of studio microphones, the numbers "47", "67" and "87" have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number "67". In many respects, the TLM 67 is based on the "workhorse" of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes.

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The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a �side fire� microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.

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The MKH 800-P48 sets a new standard for studio microphones in the age of high definition digital recording. It is the very fist microphone to fully utilize the wider frequency response and dynamic range of the new 24 bit/96 kHz standard, marking the breakthrough to a yet unknown clarity and precision in audio. A variable pattern condenser microphone, the MKH 800 offers five switchable polar patterns. Ideal for any recording application where exceptional detailed, lively and spatially precise sound is required.

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The super-cardioid MKH 8050 will give higher attenuation of off-axis sound from the side than its cardioid sister model. It is a good choice for recording soloists, where the requirements for lateral acoustic separation are higher.

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This premium side-address, cardioid condenser microphone features a large dual-diaphragm capsule, optimized for world-class vocal recording and performance applications. With a tailored frequency response and extensive internal and external pop filtering, the single-pattern, dual-diaphragm design of the KSM42, featuring Prethos™ Advanced Preamplifier Technology exhibits an exceptionally smooth proximity control and ultra-wide dynamic range. The KSM42 is the premier choice for capturing sophisticated, powerful and intimate vocal performances.

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The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.

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The DT 770 PRO is a closed dynamic headphone and has been designed for critical music and sound monitoring. The single sided cable makes the handling of the headphone easy. The cushion system allows the DT 770 PRO to be used comfortably for long periods of time.

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The CM7-GT (Glass Tube) uses a NOS Telefunken glass tube, which replaced the VF14/EF14 in 1960-1979. The CM7-GT has 9 patterns selectable from the PSU. The CM7-GT Circuit is basically the same as the CM7 with extra circuitry added to achieve the remote pattern changing. The CM7-GT use a PCB. The critical high impedance parts are assembled point to point. It also uses the same custom wound "large style" Neumann U47 transformer that we use in the CM7. The CM7-GT uses the identical grille setup as the original U47 and the CM7.

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The Wunder Audio CM49 Tube Microphone comes with the original M7 capsule. The M49 was the first condenser microphone capable of remote pattern control, achieved through electronic means. By varying the rear-diaphragm voltage against the backplate reference, a full range of patterns, from omni to cardioid to figure-8, was accomplished. Because the grille is slanted and presents a continuously varying profile to the capsule, there are fewer standing waves generated.

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The Wunder Audio CM12 Tube Microphone is targeted to the professional with the most demanding criteria. The CM12 uses the larger Hiller T14/1 output transformer that was standard in the early C12. The beautiful hand made Capsule is a CK12 style. These boutique microphones are hand assembled in Texas per customers order.

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