API: 3124 preamp
API: 3124+

The 3124+ is designed with the professional engineer in mind, giving the highest possible quality 4 channel mic preamp, while keeping the size and price at a reasonable level. Equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the artist's disposal for the source of his music.

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API: A2D preamp
API: A2D

The A2D represents a landmark achievement for API; it is the first product ever produced by the company with an integrated digital output. Recognizing the desire for a high quality solution to raise microphone signals to a workable line level, we engineered one of our most popular mic preamp designs into an enclosure with our new proprietary analog to digital conversion. The result is a complete package - a pair of superb mic preamps feeding an A/D section with a set of standard digital interface outputs, multiple sample-rate choices, and internal or external clock options.

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Chameleon Labs: 7602 MKII preamp
Chameleon Labs: 7602 MKII

The Model 7602 MKII is the sequel to our smash hit 7602 Microphone Preamplifier/Equalizer. The 7602 MKII new features include: selectable mic impedance, LED input metering, upgraded knob styles, and two different power options--all of this for the same price as the original unit. The 7602 MKII ships with an in-line power power supply (all regulation is done inside the unit). The rackmountable CPS-1 can also still be used, but is no longer required.

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dbx®: Silver Series 386 preamp
dbx®: Silver Series 386

The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx® Type IV™ conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.

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Earthworks: ZDT Series preamp
Earthworks: ZDT Series

The ZDT preamplifier series is based on all new discrete circuitry designed by David Blackmer, establishing a new standard of sonic excellence in electronics. This exacting new standard provides frequency response from 1Hz to 200kHz +0.5dB, an incredible rise time of 0.27 microseconds and distortion of less than 1 part per million (0.0001%), eliminating all possibility of sonic degradation. These preamps are so fast, so clean and so transparent that you don't even know they are there. It is like plugging your microphone into a "piece of wire with gain". You will hear clarity and detail with the ZDT preamps that is not available in any other preamp at any price.

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Focusrite: ISA One preamp
Focusrite: ISA One

The 'ISA One' microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price.

ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)

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Focusrite: ISA428 MKII preamp
Focusrite: ISA428 MKII

The ISA428 MkII provides four of Focusrite's prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.

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Golden Age Project: PRE-73 Mk2, 230V
Golden Age Project: PRE-73 Mk2, 230V

The PRE-73 Mk2 is the first one-channel low-cost preamp on the market that is using a fully discrete signal path with three separate transformers for the balanced mic input, the line input and the output.

The circuit is very similar to the classical preamp section of the Neve 1073 pre/eq module with a corresponding sound character that is warm, punchy, sweet and musical.

The PRE-73 Mk2 has a maximum gain of 80 dB on the mic input and the gain range on the Line input is -20 to + 10 dB. There is also a high-impedance instrument input.

The PRE-73 Mk2 is perfect for almost any signal source, no matter if it's a microphone with a high or low sensitivity (like a passive ribbon mic), a syntheziser or sound module or an electric guitar or bass.

The input impedance of the microphone input can be switched between 300 and 1200 ohms, which makes it possible to affect the tone of most microphones. There is also phase switch and an simple 4-step LED signal level meter.

The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.

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Presonus: ADL 600 preamp
Presonus: ADL 600

Designed by famed tube-circuit designer Anthony DeMaria, the ADL 600 employs a distinctive Class A, discrete design with three military-grade vacuum tubes per channel, operating with ±300V power rails for maximum headroom and superb tone. The dual-transformer design also ensures low-noise operation, with maximum common-mode rejection.

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Presonus: BlueTube DP preamp
Presonus: BlueTube DP

Solid-state clarity or tube warmth, which to choose? We suggest you stop wasting time pondering that old argument and choose the BlueTube DP dual-path mic/instrument preamp, which lets you apply fat, warm 12AX7 tube tone or go with solid-state transparency. The solid-state path leads to our classic high-headroom, Class A XMAX™ mic preamplifier with 54 dB of gain. The tube path features a high-output, 12AX7 vacuum tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone.

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Universal Audio: LA-610 MkII preamp
Universal Audio: LA-610 MkII

The LA-610 MkII combines an all-tube, vintage mic preamp design — heard on classic albums ranging from The Beach Boys' Pet Sounds to Van Halen I — with authentic Teletronix T4 opto-compression circuitry. This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

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Wunder Audio: PAFOURplus preamp
Wunder Audio: PAFOURplus

The PAFOURplus is a fully Class-A discrete 1970's-style mic-pre utilizing the exact mic-pre circuit as the PEQ2. The design employs proprietary, custom-designed mic, and output transformers. It is no secret that the huge sound is due to the make-up of the Mu-Metal transformers. In the PAFOURplus, you get four channels of the Wunder Audio sound in one unit!

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Wunder Audio: PEQ2R preamp
Wunder Audio: PEQ2R

The PEQ2R is the 19" rack mount version of the PEQ2. It has a conductive plastic logarithmic taper output level potentiometer, which acts as an output fader, a 48V phantom power switch and a quarter inch instrument input jack. We've taken the PEQ1R and enhanced it to make it even better!

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